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supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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authors Murad, Carlos Alberto
year 2000
title O Fotográfico e o Fotopoético na criação digital (The Photographic and the "Photopoetic" in Digital Creation)
source SIGraDi’2000 - Construindo (n)o espacio digital (constructing the digital Space) [4th SIGRADI Conference Proceedings / ISBN 85-88027-02-X] Rio de Janeiro (Brazil) 25-28 september 2000, pp. 325-327
summary This paper discusses the aesthetical motivations which would lead the appropriation of the photographic image by the differents imagetic creation, without considering the base’s nature. The study looks at the regard’s idiosyncrasies, the photographic image nature and its aesthetic apreension as a photopoetic reality. This would establish the creator from differents imagetic poetics would lead the appropriation of the photograhic. The theoretical basis of this study is Bachelard’s Phenomenology of the creative imagination and poetic image.
series SIGRADI
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Details Citation Select
100%; open Richter, Jean Paul (Ed.) (1970) Find in CUMINCAD The Notebooks of Leonardo Da Vinci , New York: Dover

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